Contact
art book cologne GmbH & Co. KG
Deutzer Freiheit 107
50679 Köln
Germany
Opening hours (office and showroom):
Monday to Friday 8 – 17
info@artbookcologne.de
Phone: +49 221 800 80 80
Fax: +49 221 800 80 82
About us
art book cologne, founded by Bernd Detsch in 1997, is a wholesale company and specializes in buying and selling high quality publications in art, art theory, architecture, design, photography, illustrated cultural history and all related subjects internationally. Our team includes specialists in art, culture, music, book trade and media but in spite of our diversity we have one common ground: the enthusiasm for unique art books.
We purchase remaining stocks from museums, publishers and art institutions. We sell these remainders to bookstores, museum shops, and art dealers all over the world.
The Films of Andy Warhol – Catalogue Raisonné
| Editor | John Hanhardt |
| Publisher | Whitney Museum of Art |
| Year | 2021 |
| Cover | Cloth with dust jacket |
| Language | English |
| ISBN | 978-0-300-26011-3 |
| Pages | 512 |
| Weight | 2470 g |
| More | |
| Contributors | Bruce Jenkins, Tom Kalin, Jonathan Flatley et al. |
| Type of book | Catalogue Raisonné |
| Article ID | art-64384 |
In the 1960s, Andy Warhol (1928–1987) produced hundreds of film and video works—short and long, silent and sound, scripted and improvised. This catalogue raisonné of the artist’s films, a complement to 2006’s Andy Warhol Screen Tests, focuses on works he produced from 1963 to 1965. Detailed cataloguing of each work is combined with orienting and enlightening essays that cover Warhol’s influences, source material, working methods, and technical innovations, as well as his engagement with the people he filmed and how they came to life on the screen. In addition, rich entries offer detailed summaries and analysis of more than a hundred individual works.
The vigorous illustration program includes countless stills and documentary images to further elucidate the film works, including many that have circulated only rarely. Warhol’s dynamic and creative approach to filmmaking redefined the genre, drawing audiences and receiving positive attention along with deep criticism. In 1970, he placed his films in storage for the next 14 years, taking them out of public view and distribution.
