art book cologne GmbH & Co. KG
Deutzer Freiheit 107
50679 Köln
Germany
Opening hours (office and showroom):
Monday to Friday 8 – 17
info@artbookcologne.de
Phone: +49 221 800 80 80
Fax: +49 221 800 80 82
art book cologne, founded by Bernd Detsch in 1997, is a wholesale company and specializes in buying and selling high quality publications in art, art theory, architecture, design, photography, illustrated cultural history and all related subjects internationally. Our team includes specialists in art, culture, music, book trade and media but in spite of our diversity we have one common ground: the enthusiasm for unique art books.
We purchase remaining stocks from museums, publishers and art institutions. We sell these remainders to bookstores, museum shops, and art dealers all over the world.
Editor | Bernhard Fulda, Christian Ring, Aya Soika |
Publisher | Prestel |
Year | 2019 |
Cover | with dust jacket |
Language | English |
ISBN | 978-3-7913-5894-9 |
Pages | 384 |
Weight | 2300 g |
More | |
Type of book | Exhib'publication |
Museum / Place | Hamburger Bahnhof, Berlin |
Article ID | art-49240 |
This trenchant reconsideration of artist Emil Nolde’s life and work deconstructs the myths that have surrounded Nolde's legacy until today.
Emil Nolde created some of the most powerful works of the Expressionist movement. Despite the fact that his art was represented more prominently than anyone else’s in the infamous exhibition Degenerate Art, he continued to be an ardent sympathizer of the Nazi regime and an admirer of Adolf Hitler. This book provides a comprehensive introduction to Nolde’s ambiguous position during the Third Reich. In addition, the book takes a fresh look at Nolde’s artistic production during the Nazi period, featuring numerous works which have not yet been published or publicly displayed. Eight illustrated essays draw on a wealth of unpublished letters and documents from the artist’s estate that offer new insights into Nolde’s artistic practices, his political beliefs, and his anti-Semitism, deconstructing the myths that have surrounded Nolde’s legacy until today.
BERNHARD FULDA is Fellow and Director of Studies in History at Sidney Sussex College at the University of Cambridge. CHRISTIAN RING is Director of the Nolde Stiftung Seebüll.AYA SOIKA is Professor of Art History at Bard College Berlin.