art book cologne GmbH & Co. KG
Deutzer Freiheit 107
50679 Köln
Germany
Opening hours (office and showroom):
Monday to Friday 8 – 17
info@artbookcologne.de
Phone: +49 221 800 80 80
Fax: +49 221 800 80 82
art book cologne, founded by Bernd Detsch in 1997, is a wholesale company and specializes in buying and selling high quality publications in art, art theory, architecture, design, photography, illustrated cultural history and all related subjects internationally. Our team includes specialists in art, culture, music, book trade and media but in spite of our diversity we have one common ground: the enthusiasm for unique art books.
We purchase remaining stocks from museums, publishers and art institutions. We sell these remainders to bookstores, museum shops, and art dealers all over the world.
Editor | Sophie Hackett, Jim Shedden |
Publisher | Skira Rizzoli |
Year | 2016 |
Cover | Hardcover |
Language | English |
ISBN | 978-0-8478-4955-0 |
Pages | 190 |
Weight | 714 g |
More | |
Contributors | Martha Kirszenbaum, Katherine A. Bussard, Stephanie Smith |
Type of book | Exhib'publication |
Museum / Place | Art Gallery of Ontario, Toronto |
Article ID | art-18115 |
Idealists, outsiders, and those brave enough to be themselves, as depicted by visionary photographers and filmmakers including Diane Arbus and Nan Goldin, reveal another America. A visual tour through life at the margins in the United States from the late 1950s to the early 1980s, Outsiders highlights the work of iconic photographers and filmmakers who profoundly changed the image of American culture.
Kenneth Anger, Diane Arbus, Shirley Clarke, Nan Goldin, Danny Lyon, Garry Winogrand, and their contemporaries challenged rigid postwar society with their powerful films and photographs. Lyon’s travels with Chicago biker gangs and Arbus’s swordswallowers form a dramatic counterpoint to a trove of midcentury images from Casa Susanna, a community of cross-dressers enjoying country life en femme. Outsiders captures diverse and significant subcultures and interests, united by each subject’s will to determine his or her own identity.
Accompanying the images, essays by curators and critics explore American underground cinema, street photography, the distinct countercultures of New York and Los Angeles, and the spectacle of everyday living in a time of political and cultural turmoil.