art book cologne GmbH & Co. KG
Deutzer Freiheit 107
50679 Köln
Germany
Opening hours (office and showroom):
Monday to Friday 8 – 17
info@artbookcologne.de
Phone: +49 221 800 80 80
Fax: +49 221 800 80 82
art book cologne, founded by Bernd Detsch in 1997, is a wholesale company and specializes in buying and selling high quality publications in art, art theory, architecture, design, photography, illustrated cultural history and all related subjects internationally. Our team includes specialists in art, culture, music, book trade and media but in spite of our diversity we have one common ground: the enthusiasm for unique art books.
We purchase remaining stocks from museums, publishers and art institutions. We sell these remainders to bookstores, museum shops, and art dealers all over the world.
Editor | Mary Cason |
Publisher | Philadelphia Museum of Art |
Year | 2021 |
Cover | Cloth with dust jacket |
Language | English |
ISBN | 978-0-87633-201-6 |
Pages | 152 |
Weight | 1232 g |
More | |
Author(s) | Peter Barberie |
Contributors | An-My Lê |
Type of book | Exhib'publication |
Museum / Place | Philadelphia Museum of Art |
Article ID | art-64325 |
A wide-ranging retrospective that reveals a master printer's own photographs to be technically brilliant work of remarkable breadth and complexity.
This book presents the first in-depth survey of photographs by Richard Benson (1943–2017), who approached photography as a thrilling set of technical challenges and used the medium to craft profound depictions of people, the spaces of their lives and work, and the products of their labor. An essay by curator Peter Barberie interweaves examination of Benson's photographic practices with the story of his ideas, writing, and reproductive printing, while photographer An-My Lê, Benson's former student, offers her perspective on his teaching, family life, and art.
The book begins with his stunning darkroom prints in silver and platinum and follows his trajectory toward extraordinary digital photography, culminating in later color prints that are at once elegant and garish, representing the contemporary world in vivid detail. Benson's democratic eye also extended to human subjects: he photographed loved ones and strangers with extraordinary attention, and directed the same gaze to the buildings and landscapes entwined with individual lives.