art book cologne GmbH & Co. KG
Deutzer Freiheit 107
50679 Köln
Germany
Opening hours (office and showroom):
Monday to Friday 8 – 17
info@artbookcologne.de
Phone: +49 221 800 80 80
Fax: +49 221 800 80 82
art book cologne, founded by Bernd Detsch in 1997, is a wholesale company and specializes in buying and selling high quality publications in art, art theory, architecture, design, photography, illustrated cultural history and all related subjects internationally. Our team includes specialists in art, culture, music, book trade and media but in spite of our diversity we have one common ground: the enthusiasm for unique art books.
We purchase remaining stocks from museums, publishers and art institutions. We sell these remainders to bookstores, museum shops, and art dealers all over the world.
Publisher | Unicorn Publishing Group |
Year | 2019 |
Cover | Hardcover |
Language | English |
Note | (*Hurt) visible shelfwear, not in mint condition |
ISBN | 978-1-912690-46-6 |
Pages | 144 |
Weight | 1112 g |
More | |
Article ID | art-61337 |
In Sculpting the Land, award-winning landscape architect Diana Armstrong Bell explores her unique interpretation of the possibilities of landscape design. Influenced by the work of the Russian avant-garde artists Kazimir Malevich and El Lissitzky, Bell’s distinctive approach to contemporary design is primarily informed by the abstract. Known for distinctive, innovative designs that are site-specific and sensitive to context, Bell has designed and built projects all over the world, and in Sculpting the Land she reveals the process and inspiration behind her work.
Drawn to earthworks, lines, and patterns, Bell gathers clues about a landscape’s past and lets them inform a new story in her work. Sculpting the Land explores many of Bell’s large-scale public landscapes in the urban realm, which are sculptural in their conception and modern in style, including Parco Franco Verga in Milan, Proche du Lac de Carré Sénart in France, Rochester Riverside Park in Kent, and Electra Park in London.
With more than 150 color illustrations—including landscape plans, schemes, and hand-drawn pencil, ink, collage, and watercolor pieces—the book showcases a remarkable collection of art which is used to convey Bell’s design process and present her ideas.