art book cologne GmbH & Co. KG
Deutzer Freiheit 107
50679 Köln
Germany
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Monday to Friday 8 – 17
info@artbookcologne.de
Phone: +49 221 800 80 80
Fax: +49 221 800 80 82
art book cologne, founded by Bernd Detsch in 1997, is a wholesale company and specializes in buying and selling high quality publications in art, art theory, architecture, design, photography, illustrated cultural history and all related subjects internationally. Our team includes specialists in art, culture, music, book trade and media but in spite of our diversity we have one common ground: the enthusiasm for unique art books.
We purchase remaining stocks from museums, publishers and art institutions. We sell these remainders to bookstores, museum shops, and art dealers all over the world.
Publisher | Hatje Cantz |
Year | 2022 |
Cover | Hardcover |
Language | English |
ISBN | 978-3-7757-4628-1 |
Pages | 440 |
Weight | 3245 g |
More | |
Contributors | Nicole Fleetwood, Peter Neufeld, Tyra Patterson et al. |
Article ID | art-59890 |
Taryn Simon’s earliest body of work, The Innocents (2003), documents stories of individuals who were incarcerated for violent crimes they did not commit. The project stands as a photographic record of some of the earliest DNA-based exonerations in the United States and as a searing indictment of America’s criminal legal system.
The Innocents interrogates photography’s credibility as an arbiter of justice. People suspected of committing crimes are identified through photographs and lineups, a procedure that relies on the assumption of precise visual memory. But through exposure to composite sketches, mug shots, Polaroids, and lineups, eyewitness memory can change. In the cases in this book, photography aided in convicting and imprisoning people for crimes they did not commit. The Innocents compiles Simon’s photographs of forty-six individuals at sites that had particular significance to their convictions: the scene of the crime, misidentification, arrest, or alibi.
This expanded edition includes previously unpublished images; a new introduction by Innocence Project co-founders Peter J. Neufeld and Barry C. Scheck; a new essay by professor and curator Nicole R. Fleetwood based on a conversation with criminal legal and social justice activist Tyra Patterson; as well as police reports, court transcripts, and correspondence detailing the procedures behind many of the misidentifications and wrongful convictions in this book.