art book cologne GmbH & Co. KG
Deutzer Freiheit 107
50679 Köln
Germany
Opening hours (office and showroom):
Monday to Friday 8 – 17
info@artbookcologne.de
Phone: +49 221 800 80 80
Fax: +49 221 800 80 82
art book cologne, founded by Bernd Detsch in 1997, is a wholesale company and specializes in buying and selling high quality publications in art, art theory, architecture, design, photography, illustrated cultural history and all related subjects internationally. Our team includes specialists in art, culture, music, book trade and media but in spite of our diversity we have one common ground: the enthusiasm for unique art books.
We purchase remaining stocks from museums, publishers and art institutions. We sell these remainders to bookstores, museum shops, and art dealers all over the world.
Publisher | Kettler |
Year | 2014 |
Cover | Hardcover with dust jacket |
Language | English |
ISBN | 978-3-86206-345-1 |
Pages | 144 |
Weight | 1286 g |
Illustrations | with 100 ills |
More | |
Contributors | Annie Garland & Zaha Redman |
Article ID | art-17235 |
For the last three years, photographer Doug Rickard has been immersed in YouTube videos uploaded by Americans from their cellphones. These videos, documenting a dizzying array of activities, from seemingly criminal or semilegal acts to comic antics, allowed Rickard to witness scenarios he otherwise would never have seen-"right from the hands and eyes of other people," he writes, "hijacking their own device to give me very special views and intimate situations."
Reveling in this vicariousness, he found that he could be "riding in a car full of teens through Detroit at night with a camera phone hanging out the window … or witnessing, from their own lens, someone who is paying a drug addict to dance for a dollar to later get 'View,' 'Comments' and 'Likes' on YouTube."
Rickard then selected and appropriated specific images by pausing the footage and advancing through it second by second. The resulting volume expands on his previous and critically lauded monograph A New American Picture, offering a darker and more dynamic portrait of America's urban underbelly, and engaging with themes of race, politics, technology, surveillance and our cultural shift toward an ever-present camera.
Rickard explains the title: "[It] has always been 'N.A.,' coming for 'National Anthem' … it also could be interpreted to mean 'Not Applicable,' a common statistical check box on government forms here in the US, [or] 'North America.'" Visceral and intense, this volume offers an extraordinary inventory of America today.