art book cologne GmbH & Co. KG
Deutzer Freiheit 107
50679 Köln
Germany
Opening hours (office and showroom):
Monday to Friday 8 – 17
info@artbookcologne.de
Phone: +49 221 800 80 80
Fax: +49 221 800 80 82
art book cologne, founded by Bernd Detsch in 1997, is a wholesale company and specializes in buying and selling high quality publications in art, art theory, architecture, design, photography, illustrated cultural history and all related subjects internationally. Our team includes specialists in art, culture, music, book trade and media but in spite of our diversity we have one common ground: the enthusiasm for unique art books.
We purchase remaining stocks from museums, publishers and art institutions. We sell these remainders to bookstores, museum shops, and art dealers all over the world.
Publisher | Steidl |
Year | 2014 |
Cover | Cloth |
Language | English |
ISBN | 978-3-86930-487-8 |
Pages | 88 |
Weight | 1232 g |
More | |
Contributors | Fransesco Zanot |
Article ID | art-15606 |
"It’s hard to talk about photography without facing issues of time, memory and death – not as stereotypical archetypes, but as challenging and malleable entities of culture and nature.” Domingo Milella
This first published monograph by Domingo Milella is a photographic journey from his hometown in the outskirts of Bari in southern Italy, taking us to Mexico City, Cairo, Ankara, Anatolia, Sicily, Tunisia, and as far as Mesopotamia. Milella’s subject is cities and their borders, cemeteries and villages, caves and homes, tombs and hieroglyphs – in short, signs of man’s presence on earth.
His interest is the overlap between civilisation and nature, and how landscape and architecture are invested with individual and collective memory. These photographs emerge from and challenge classical ideas of landscape in art history, and seek an alternative iconography in which an almost forgotten past coexists with the present.
Says Milella: “Making images doesn’t only mean documenting or taking photographs. It’s also a possibility for contemplation and recollection. Building an image of the past is to face the present, and activate the possibility of the future.”