art book cologne GmbH & Co. KG
Deutzer Freiheit 107
50679 Köln
Germany
Opening hours (office and showroom):
Monday to Friday 8 – 17
info@artbookcologne.de
Phone: +49 221 800 80 80
Fax: +49 221 800 80 82
art book cologne, founded by Bernd Detsch in 1997, is a wholesale company and specializes in buying and selling high quality publications in art, art theory, architecture, design, photography, illustrated cultural history and all related subjects internationally. Our team includes specialists in art, culture, music, book trade and media but in spite of our diversity we have one common ground: the enthusiasm for unique art books.
We purchase remaining stocks from museums, publishers and art institutions. We sell these remainders to bookstores, museum shops, and art dealers all over the world.
Publisher | 5 Continents |
Year | 2019 |
Cover | Paperback with flaps |
Language | English |
ISBN | 978-88-7439-876-8 |
Pages | 164 |
Weight | 854 g |
More | |
Author(s) | Georges Petitjean, Bérengére Primat |
Contributors | Jessica De Largy Healy, Luke Scholes et al. |
Type of book | Exhib'publication |
Museum / Place | Fondation Opale, Lens |
Article ID | art-79287 |
Overview of the Aboriginal Art, focusing on the first large-scale exhibition staged by the Fondation Opale (Switzerland).
The common thread running right through this work is man's link with the land, the legacy of the ancestors that still echoes in the present. It is no accident that Before Time Began is one of the expressions used by Aboriginal artists in central Australia to refer to the creation of the world, in an oneiric sense. Understanding and following this underlying bond enables the reader to explore the art's narrative content in its association with dreams and the passage of time, elements that inevitably distinguish the temporal dimension in the different societies. But it is also a way of exploring the first stirrings of contemporary art in an Aboriginal context through works made at the beginning of the 1970s in Arnhem Land and in the territory of the Papunya, as well as more recent paintings by artists living in the APY (Anangu Pitjantjatjara Yankunytjatjara).
These last examples in particular highlight the fusion between contemporary art and traditional customs, in which ancestral knowledge is fused with elements drawn from the inevitable march of progress.