art book cologne GmbH & Co. KG
Deutzer Freiheit 107
50679 Köln
Germany
Opening hours (office and showroom):
Monday to Friday 8 – 17
info@artbookcologne.de
Phone: +49 221 800 80 80
Fax: +49 221 800 80 82
art book cologne, founded by Bernd Detsch in 1997, is a wholesale company and specializes in buying and selling high quality publications in art, art theory, architecture, design, photography, illustrated cultural history and all related subjects internationally. Our team includes specialists in art, culture, music, book trade and media but in spite of our diversity we have one common ground: the enthusiasm for unique art books.
We purchase remaining stocks from museums, publishers and art institutions. We sell these remainders to bookstores, museum shops, and art dealers all over the world.
Editor | Nina M. Schjønsby |
Publisher | Arnoldsche |
Year | 2020 |
Cover | Paperback with flaps |
Language | English, norw. |
ISBN | 978-3-89790-610-5 |
Pages | 250 |
Weight | 1200 g |
More | |
Contributors | Nina M. Schjønsby, Vigdis Hjorth, Tommy Olsson et al. |
Type of book | Exhib'publication |
Museum / Place | Kunstnerforbundet, Oslo |
Article ID | art-79026 |
Bente Sætrang’s textile research operates in the borderland of analysis and intuition, plan and chance, between geometric systems and logical displacements. Both as an active artist and as the first Norwegian professor of textiles, she has significantly influenced and stimulated the development of Norwegian textile art. Sætrang’s artistic practice dates back to 1974.
She has become known for her draperies drawn with acrylic, car paint, sandpaper and pencils on rough tarpaulins. Her approach of letting herself be guided by the material and thereby finding new ways of thinking was to become a basic principle of her art.
Bente Sætrang once started with a special dyeing method called Indigosol. Now, 20 years later, she is reviving this technique. The color pigment is mixed with various chemicals, but the mixture must first be tested on the material before it can be enriched with sulfuric acid and thus made durable. The colored materials must be neutralized in lye, boiled and finally dried. But the result justifies the incredible effort: on the fabrics the color achieves a distinct depth and clarity.