art book cologne GmbH & Co. KG
Deutzer Freiheit 107
50679 Köln
Germany
Opening hours (office and showroom):
Monday to Friday 8 – 17
info@artbookcologne.de
Phone: +49 221 800 80 80
Fax: +49 221 800 80 82
art book cologne, founded by Bernd Detsch in 1997, is a wholesale company and specializes in buying and selling high quality publications in art, art theory, architecture, design, photography, illustrated cultural history and all related subjects internationally. Our team includes specialists in art, culture, music, book trade and media but in spite of our diversity we have one common ground: the enthusiasm for unique art books.
We purchase remaining stocks from museums, publishers and art institutions. We sell these remainders to bookstores, museum shops, and art dealers all over the world.
Publisher | Scala Arts & Heritage Publishers |
Year | 2012 |
Cover | Hardcover with dust jacket |
Language | English |
ISBN | 978-1-85759-743-1 |
Pages | 136 |
Weight | 988 g |
More | |
Author(s) | Laura Auricchio, Melissa Lee Hyde et al. |
Contributors | Mary D. Sheriff |
Type of book | Exhib'publication |
Museum / Place | National Museum of Women in the Arts, Washington D.C. |
Article ID | art-51831 |
The rich collections of paintings and sculptures by women in the Louvre, Versailles, Fontainebleau, and other venerable French collections present an outstanding opportunity to explore the important contributions that women artists made in France between 1750 and 1848, a period that saw the waning of the ancien regime, the traumas of the French Revolution, the rise and fall of Napoleon, and the restoration of the monarchy.
Royalists to Romantics features some seventy-five paintings, sculptures, prints, and drawings by thirty-five French women artists of this era. These stunning works both illuminate their makers' careers and offer a new narrative about the art world of the Revolutionary period.
Published to accompany a major exhibition at the National Museum of Women in the Arts in Washington, DC, this beautifully illustrated book examines eighteenth-century French theories of sexual difference and their influence on the 'woman-artist question'; paradoxical Revolutionary attitudes toward women artists, who encountered as many new limitations as opportunities; and the complex ways that women marketed their reputations and managed their cultural positions in France's intricate social and artistic hierarchy.