Contact
art book cologne GmbH & Co. KG
Deutzer Freiheit 107
50679 Köln
Germany
Opening hours (office and showroom):
Monday to Friday 8 – 17
info@artbookcologne.de
Phone: +49 221 800 80 80
Fax: +49 221 800 80 82
About us
art book cologne, founded by Bernd Detsch in 1997, is a wholesale company and specializes in buying and selling high quality publications in art, art theory, architecture, design, photography, illustrated cultural history and all related subjects internationally. Our team includes specialists in art, culture, music, book trade and media but in spite of our diversity we have one common ground: the enthusiasm for unique art books.
We purchase remaining stocks from museums, publishers and art institutions. We sell these remainders to bookstores, museum shops, and art dealers all over the world.
Paul Strand
| Publisher | Aperture |
| Year | 2014 |
| Cover | Hardcover with dust jacket |
| Language | English |
| ISBN | 978-1-59711-286-4 |
| Pages | 96 |
| Weight | 500 g |
| More | |
| Contributors | Peter Barberie |
| Article ID | art-41811 |
Paul Strand (1890-1976) was more than a great artist: he was a discoverer of the true potential of photography as the most dynamic medium of the twentieth century. Purity, elegance and passion are the hallmarks of Strand’s imagery. As a youth, Strand studied under Lewis Hine and went on to draw acclaim from such illustrious sources as Alfred Stieglitz. After World War II, Strand traveled around the world to photograph, and, in the process, created a dynamic and significant body of work. In this redesigned and expanded version of a classic Aperture book, Peter Barberie, Brodsky Curator of Photographs, Alfred Stieglitz Center, Philadelphia Museum of Art, a leading historian on Strand, and curator of the major 2014 retrospective exhibition at the Philadelphia Museum of Art, introduces the work and presents an image-by-image commentary, along with an expanded chronology of the artist’s life. “Paul Strand is one of those photographers who have established not just a body of work but a way of seeing. His prints encourage the eye to take an apparently endless journey.” –“The Times Literary Supplement,” from a review of the original edition.
