art book cologne GmbH & Co. KG
Deutzer Freiheit 107
50679 Köln
Germany
Opening hours (office and showroom):
Monday to Friday 8 – 17
info@artbookcologne.de
Phone: +49 221 800 80 80
Fax: +49 221 800 80 82
art book cologne, founded by Bernd Detsch in 1997, is a wholesale company and specializes in buying and selling high quality publications in art, art theory, architecture, design, photography, illustrated cultural history and all related subjects internationally. Our team includes specialists in art, culture, music, book trade and media but in spite of our diversity we have one common ground: the enthusiasm for unique art books.
We purchase remaining stocks from museums, publishers and art institutions. We sell these remainders to bookstores, museum shops, and art dealers all over the world.
Publisher | Poligrafa |
Year | 2011 |
Cover | Hardcover with dust jacket |
Language | English |
ISBN | 978-84-343-1260-9 |
Pages | 160 |
Weight | 1154 g |
Illustrations | with num. ills |
More | |
Author(s) | Sarah Hamill |
Article ID | art-14650 |
Almost single-handedly, David Smith (1906-1965) transformed the significance of sculpture as a genre in American art.
Before him, sculpture was almost a marginal activity; after him, the floodgates opened for artists like Donald Judd and Richard Serra to build on his achievements and forge a uniquely American idiom for sculpture. Coming into his own in 1940s New York, Smith made inspirational friendships with painters like Gorky, de Kooning and Pollock, and his sculptural abstractions were recruited for the Abstract Expressionist cause. Smith's opus magnus was his Cubi series, undertaken in the early 1960s. The 28 Cubi sculptures were composed of a column of balanced cubes, rectangular solids and cylinders with spheroidal or flat endcaps, that seemed to reorder a Cubist or Cézanne-esque vocabulary into a precarious metal totem pole.
Poligrafa's introductory volume to David Smith is edited by art historian Sarah Hamill, and includes a previously unpublished interview with Smith by poet Frank O'Hara. Hamill's commentary orients Smith within a lineage of metal sculpture and underscores the importance of his relationship with photography.